Intersections

Galleri Urbane is pleased to announce our 7th annual group show, Intersections, an exhibition featuring the work of Gail Peter Borden, Peter Frederiksen, Chase Barney and Benjamin Terry, and welcoming Amelia Briggs, Karen Navarro for the first time. This show is composed of recent works from the artists which examine intersections of culture and identity along with themes of convergent artistic elements and mediums.

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Nothing Goes to Waste

On view at Houston Center for Contemporary Craft, until May 7 was, Nothing Goes to Waste, an exhibit complete with works of reused materials. Existing vinyl was collaged for the title at the opening of the gallery, setting precedent for the pieces in the exhibit. Commenting less on the need for sustainability, reused materials are the mere impetus for the show’s focus on the curiosity of past lives of various mediums used in artworks. 

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The Shape of Color, Rachel Hellmann

Galleri Urbane welcomes back Indiana artist Rachel Hellmann for a solo show, The Shape of Color, featuring fluorescent-painted relief sculptures, paintings, and an analogous mural. This body of work echoes her recent paintings and installation at the Rockwell Museum (Rockwell, NY), Leaning Toward the Sun, which will be up through March 2023. These pieces provoke ephemeral conversations of light and assumed dimensionality between various mediums.

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Naked Light, Anna Kunz

Galleri Urbane is delighted to welcome back Chicago artist Anna Kunz for her highly anticipated solo show, Naked Light. Completed in 2022, this series of paintings asks viewers to experience the warmth of light, represented by color, as a purveyor of society. These paintings galvanize conversation between both viewers and color upon canvas while confronting the emptiness and lack of connection from physical distancing.

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Held in Suspension

The beauty, though imposed, is “held in suspension,” showing the delicate tension between fashioning one’s self into what society wants a woman to look like versus self-expression free of these expectations.

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KNOCKOUT

Also seen in DARIA Magazine

At the Dairy Block, a few blocks from Union Station, artist Scott Young’s studio/gallery is filled with massive, collaged paintings, a giant hand sculpture, an immersive room, and, of course, Young’s neon art (and more). From every angle in the space, works of art in the group exhibition KNOCKOUT: Pop Art Is the Future of Everything shout out over one another, vying for viewers’ attention, asking us to question the state of the world and the legacy of Pop Art.

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Chick-fil-A announces temporary United Kingdom stay amid anti-LGBTQ+ criticism

A second Chick-fil-A location opened outside of the United States on Oct. 10, only to announce eight days later that its doors will close after six months. The fast-food chain has faced criticism from members and supporters of the LGBTQ+ community in recent years on the grounds of their donations to Fellowship of Christian Athletes (FCA), the Salvation Army and other organizations against same-sex marriage.

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Elle Shults
Who gets to write about art?

It is easy to deny yourself validity when speaking about a work of art, but even the simplest of responses should be respected. When I look at art, it is integral for me to understand the context, alongside admiring the aesthetics. I do this by trying to put myself in the artist’s shoes with the information I have.

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Elle ShultsComment
The hierarchy of a Westerner’s pity in times of tragedy 

April 25, the University of Denver hosted “Understanding Islamic State (ISIS): Media and Communication Perspectives”, featuring guest lecturer Nabil Echchaibi, Ph.D., University of Colorado Boulder. Deconstructing the brutality of ISIS media, Dr. Echchaibi gave reason for the group’s growing power and influence, all while questioning the lack of attention given to the matters in the Western world.

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Elle ShultsComment
BlacKkKlansman’s Oscar-Winner Kevin Wilmott Talks Two Selves at the University of Denver

Oscar-holding BlacKkKlansman screenwriter, Kevin Wilmott, visited the University of Denver for a showing of the film produced by Jordan Peele, followed by a Q&A session to share his knowledge regarding race-based writing. Delving into double consciousness and issues still felt today, the writer discussed the significance of perspective in the film industry and what it was like to work on the project.

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Elle Shults
What are colleges really doing about sexual assault?

The red zone. If you have never heard of this, you probably haven’t stepped on a college campus during the first month of the new school year. The commencement of the fall term has been recognized as a period when college students are most at risk of sexual assault, especially first years. From the ‘jungle juice’ and endless kegs, the party scene during the first few weeks of college is more dangerous than people realize.

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Elle Shults